HF-SHIKIZAKURA’26/STD
MSRP¥280,000 w/o tax
COLOR
AP-GRD（Autumn Pearl Gradation） Jan /
4571697773363
Specification
- Body Top
-
Sitka Spruce
- Body Side&Back
-
Yamazakura
- Neck
-
African Mahogany
- Fingerboard
-
Richlite
- Nut
-
High Density Bone (Water Buffalo)
- Saddle
-
High Density Bone (Water Buffalo)
- Bridge
-
Richlite
- Machineheads
-
GOTOH®SG301 01 GG
- Fret
-
HHF-AG2S
- Scale
-
628mm(24.7inch)
- Neck Grip
-
Slim U
- Width at Nut
-
43mm
- Bracing
-
Semi Forward Shifted, Scalloped X Bracing
- Finish
-
Thin Urethane
- Strings
-
Elixir® NANOWEB Light(.012-.053)
- Accessories
-
Hard Case, Allen Wrench, COA
Specifications and design details are subject to change without notice.
Introduction
The 2026 “Sakura × Autumn Leaves” model features the Four-season Sakura of Obara as its motif
A woman holding a Japanese umbrella, looking up at the four-season sakura and autumn foliage
This design, inspired by brush calligraphy, features a woman holding a Japanese umbrella as she looks up at the four-season sakura blossoms and autumn foliage. By using brushstroke techniques in the painting process, the design captures the authentic feel of hand-drawn brushwork.
Design of fluttering Sakura blossoms
Continuing the flow from the headstock, the fingerboard inlays feature a design of fluttering Sakura blossoms. By incorporating details that evoke a traditional Japanese atmosphere, such as undulating branches, into every detail, the instrument achieves a cohesive overall look.
Autumn colors paired with the pink of Sakura in pearl tones -Autumn Pearl Gradation-
The body features a gradient that evokes the atmosphere of autumn foliage, overlaid with a pink pearlescent finish inspired by the Four-Season Sakura trees. The finish, which changes its appearance depending on the viewing angle, creates a sense of luxury.
Semi-Forward-Shifted Bracing
Headway Master Builder Yasuo Momose studied the bracing of a 1934 vintage guitar and developed his own unique bracing system. This system features a semi-forward shift where the X-brace crosses closer to the soundhole, resulting in better low-end response and a more voluminous tone compared to a new guitar. By positioning the X-brace approximately 5mm closer to the bridge than a standard forward shift, the design also considers the stability of the top plate.
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